Of Creation, the only ridiculous one. Animal representation and fables without corrections in La Oveja negra y demás fábulas.
Keywords:
Fables, Monterroso, Power, Culture, ReligionAbstract
Some of the features that made La Oveja negra y demás fábulas (1969) contribute to liberating a genre confined in the prison of its traditional guidelines are addressed, and how Monterroso undermined religion, power, culture, overturned a corrosive humor that leaves the naked a presumed, pusillanimous, hypocritical, careerist, clumsy human being.
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