The Man Who Could Not Calculate
Paradox and Complexity in Pablo Neruda’s Residence on Earth
Keywords:
Pablo Neruda, Residence on Earth, Quantum physics and poetry, Episthemology of poetryAbstract
The Spanish physicist and complexity theorist Jorge Wagensberg argued that art embodies the “communicability of unintelligible complexity”—a medium capable of conveying intricate realities that resist full intellectual grasp. Pablo Neruda’s Residence on Earth (1933), as analyzed by literary critic Amado Alonso, exemplifies this concept through its disruption of causal logic, blurring of subject-object boundaries, and fusion of disparate states of matter. Strikingly, these poetic strategies mirror principles central to quantum physics, which are figured out here by Erwin Schrödinger’s thoughts. This paper employs comparative literary analysis to investigate the ontological and epistemological parallels between Neruda’s Residence on Earth and quantum theory. It further examines the linguistic and structural tools Neruda employs to translate his complex, often ineffable vision of existence into poetry. By bridging literature and science, this study illuminates how Neruda’s work resonates with the philosophical implications of quantum physics, offering a fresh lens for interpreting both fields.
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Copyright (c) 2025 Yandrey Lay Fabregat

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