Romantic terror: psychodynamic love relationships towards the self-destruction of the being.
Keywords:
Romanticism, Terror, Psychodynamism, Love, ManipulationAbstract
Authors such as Lovecraft, Llopis, Todorov and Carroll have conceptualized terror to explain the reception that the reader has when corroborating an artistic object that has its particular properties, in addition to the fact that the result obtained is useful as a resource for Literature and art. Cinema. On the other hand, when referring to romantic terror, it is alluded to one of the multiple manifestations that this paradigm adopts today. For this study, I delimit its lexical precision (conventional), which is identifiable by addressing the mechanisms that produce the destruction of the notion of love, the annihilation of the character that is supported by this dogma and the macabre intervention of the manipulator in the artistic works of this nature These peculiarities are mainly adapted to the functioning of a psychodynamism of confrontation of good with evil, which is notorious in the manipulation strategies that are used in the relationships of Malevolent Tales (1904), as well as exposure to risky situations. and the absence of ethical and religious criteria.
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